Voice Rebalancing and Forensic Analysis: How a Healing Art makes itself useful in the proactive fight against organised criminality and terror, by Sigrid Countess von Galen

Voice Rebalancing and Forensic Analysis:

How a Healing Art makes itself useful in the proactive fight against organised criminality and terror,

by Sigrid Countess von Galen

In a world and time of orchestrated violence and secret spiderwebs of organised criminality and mercenary terror that make films like James Bond films and Spooks simply look like whistleblowing on screen, the high financed and technologically advanced criminal shadow networks often employ sophisticated and expensive voice recognition and manipulation tools.

Every instrument and tool used in crime prevention and forensic voice analysis and for artistic purposes, including the voice and acting and impersonating, is used by criminals and white collar paymasters on a big scale to facilitate organised crime and to frame anybody, who stands in their way. How?

For a start: The voice has a unique individual physical constellation. In forensic analysis and specialist crime troubleshooting I apply my multi-disciplinary expert skills and Voice Rebalancing healing and diagnostic tools to the analysis of the voice in recordings and interviews. I compare, for example, samples of a person's voice against a voice in an interview or recording. I listen to the voice and identify a host of parameters: Breathing patterns, silence, pauses, accent, vowel and consonant production, rhythm, intonation, language use, language flow, voice range, emotional expressions, utterance. I also look at the posture, movements, body language and eyes in interviews or on film samples.

Sadly, the shadow world of organised criminality is these days more than ever disguising itself and helped by corrupt employees and strategically placed infiltrators, who sabotage and hire terminators, and by leaders in white collars in all economic areas, scientific fields, in charities and organisations. A lot of organised crime is facilitated and covered up under abuse of diplomatic immunity or via plausible deniability.

These spiderwebs usually have at least one decision maker in Human Resources at their disposal, who make sure that a mercenary is fast tracked into the right position to sabotage and commit fraud and to frame strategically innocent and unassuming or without their knowledge coerced colleagues. In one case, several such placed HSBC employees laundered money and made illegal transactions and framed colleagues for it.

More and more often a voice identification system is abused to hijack and steal a voice, which is then put on a micro chip worn by an imposter in compromising scenarios, where the mercenaries use film productions that cater for underworld needs, and provide make up artists, who can fit silicone masks, too. Real actors are recruited amongst freemasons and Templars or from crime gangs or even officially hired from a casting agency under the pretence of an extra appearance or small role for a trailer.

Criminal and greedy lobbies go to great length and invest extensively in their spiderwebs these days to push their hidden agenda via blackmail in this way. Film shorts with a double are produced to bully a politician or leader of an organisation into submission. If the target refuses, s/he is being framed with the release of the fake evidence, which will then be spread by select members of the spiderwebs that stretch from corrupt media keyfigures to insiders in all areas involved in making or breaking a person strategically.

Bishops, priests, politicians, judges, officers, whistleblowers and victims of organised crime have been seen framed, when they tried to testify. Where technology is abused like that, the forensic interview and the above analysis skills and expertise are crucial in order to confront the suspect in person.

Very often, the suspect has control over their facade and hides behind a studied poise but if the conversation is suddenly disrupted and the real person emerges they can no longer keep their true self in check. That is the breaking point of the confession.

And there has yet to be a criminal, even one, who accepts prison as an occupational hazard, who does not sooner or later to somebody boast about their 'genius' and who dwells in the delusion of superiority towards those, who caught them out.

Even the best copycats will never reach the truth of the original, as they are missing the vital ingredient: Originality, authenticity and the integrity of the truth.

Sigrid Countess von Galen
NEC LAUDIBUS NEC TIMORE

http://thecentrefortraumastudiesandhealing.blogspot.co.uk
http://voicerebalancing.blogspot.co.uk

http://clemensaugustvongaleninstitute.blogspot.co.uk
http://jamesjohnwestcotthouse2.blogspot.co.uk
http://theinstituteforcriminologyandjustice.wordpress.com

http://willowartscreationsandgallery.blogspot.co.uk

@instcrimjust @CTraumastudies @sigridvongalen

Countess Sigrid von Galen

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Voice Rebalancing and Forensic Analysis: How a Healing Art makes itself useful in the proactive fight against organised criminality and terror, by Sigrid Countess von Galen

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